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Lene Lovich at the Stereo Society
Click on Lene’s subject to go to the page showing everything in that section, or choose a selection from the drop-down list.
Lene Lovich at the Stereo Society
Lene Lovich – Interviews And Commentaries
This page contains excerpts from three interviews Thorne has conducted with Lene over the years, as well as various commentaries. Click on the links to listen to audio from the interviews and read the full texts, or use the menu at the top of the page.
“I’ve never known what I’m supposed to be or where I’m supposed to go – I’ve spent most of my life feeling quite lost. But that doesn’t mean it’s a bad thing, I quite enjoy being lost and wandering about in the unknown. Otherwise life becomes very predictable and I think I’m here for adventure. And where that comes from I don’t know.
I’m having a lot of fun being on stage with live performances. I have a band now which is great – it allows me to revisit the old songs in a powerful way. And the connection with the audience helps me to understand my identity, and to have good feelings in a world that’s not always so good.”.
“I think that my ideas are clearer and stronger now than they used to be. It used to be a big mess that we kind of had to peel away. Some of the extra bits were probably in the way. But now the ideas are much stronger and I think that comes through experience, through more focus. The ideas are so very clear that … I don’t know what to say! La, la, la…
It’s very hard to talk about ideas. They are there. In the past we used to surround our ideas with a lot of junk. Lovely junk. And we used to like every single bit of junk that was around the idea. But now I think that after a while you feel you can become more selective”.
Six months ago, Lene Lovich was the most enigmatic figure of that motley company known as the Be Stiff Tour. Dressed in thrift-shop gypsy lace, with her fiery red hair worn in two long plaits, Lovich sang in unearthly registers and interspersed her singing with frenetic bursts of saxophone. The critics, for once, were nonplussed, and could only manage an inept Patti Smith comparison that gave no…..Read on
Sisters Under The Skin
Commentary by Simon Frith
There’s an interesting column by Penny Valentine in the latest issue of Creem about the American press reaction to the Stiff package which visited New York just before Christmas. The New York writers heard Wreckless Eric as a profound cultural commentator, and couldn’t make any sense of Lene Lovich at all…..Read on
DO NOT ENTER WHEN RED LIGHT IS SHOWING
A group sit quietly on-stage, more silhouetted than seen, instruments unamplified, fooling around with some cabaret chords and chintzy songs. Occasional laughter scatters through the darkness and the rising cigarette smoke. Men with English accents lean on flight cases and comment on the set. Not exactly sardonic, but not complimentary either.
‘The best engineers I’ve ever met were the blokes at WDR in Germany,’ says Mike Sinclair, tour manager, sound engineer and all round good guy. ‘They approach it as an art, which is the way it should be.’ And which is the way it would be at RTE if the producers and technicians only had a chance to catch up on their tails.
More laughter – ‘They wound just like a lounge group’ laughs Sunny Ray – ‘That’s where we got them,’ replies Mike.
And into the banter moved a shave head bearing circular blue sunglasses and XXX on a black clothed frame. Les Chappell, guitarist.