Composing
Polymicrotonally
The
subject of this essay -- polymicrotonality -- never shows up
in a dictionary, although it has real meaning for my music
compositions. When
performing extemporaneously as a bassoonist, I couldn't imagine
improvising sans microtones. The complex world in which we live requires a new music that reflects what is special in this millennial era and, paradoxically, need not be overtly complex in its delivery. The insistence of a single tuning simply does not attract my aesthetic compass. Most
significantly......
Electric
bassoon at the Nice Discotheque
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Johnny
Reinhard: composer/performer
Quick
quotes about Johnny Reinhard from all sorts of people
American
Festival Of
Microtonal Music
Under the direction of Johnny Reinhard
More quick quotes
Sketch
for studio realization of Circle
(also
in high-resolution)

Graphic
score of Raven
(also in high-resolution)
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Interview
1998 (Raven CD sleeve note)
I first focused on microtonality as a player. I wanted to develop the bassoon
compositionally by encouraging composers to write for me; I just wasn't satisfied
with the available repertoire. I didn't care much for the published works
of the bassoon. There's a certain standoffishness that institutions have
towards the instrument compared with instruments like violin and piano,
let alone flute.....
To the American Festival of Microtonal Music Web Site and its
PITCH Label |